One glaring absence on music streaming services has long been the Drag City catalog. Home to some of the smartest indie rock, folk and alt-country bands over the last 30 years, the label has finally struck a deal with Spotify, TIDAL, and Google Play to let the likes of Smog, Ty Segall, Bill Callahan and, our personal favorite, Silver Jews, be heard. The one exception? It seems Joanna Newsom, who has referred to Spotify as a “villainous cabal,” won’t be appearing on the newly public company’s platform anytime soon.

Part cartoon, part poem, and part history lesson, Angie Wang’s essay on trying to find that one perfect dish of her youth—that one delicious meal that just feels like home—is a culinary comment on the idea of home, the inadequacies of nostalgia, and the displacement (and rediscovery) of culture.

By his own account, Martin Frost “paints pictures that people can’t see.” A fore-edge painter, Frost constructs hidden worlds between the pages of books, revealed only to those who know where and how to look for them. The idea that such beautiful images could lay unknown to or undiscovered by a masterpiece’s owner is at once heartbreaking and delightful.